So here it is. The 100th post. I thought this project would take 2 years.  It has taken almost 3. But, as John Lennon is credited with saying, “life is what happens while you are busy making other plans.” And wow is that true. For better and for worse. The world is quite a different place than it was 3 years ago. Terror, Trump, Brexit, Corbyn, North Korea, to name but a few. But no need reiterating the obvious, let’s get to 100.  But how? What could possibly be the topic of the final scribbling? This is London, so the possibilities are endless…but it has to be right. A clear finish, a final wrap up.  The universe, who keeps me on a short leash, got tired of listening to all this self-indulgent angst and said:  “OK.  You want a final post, well hold on tight. I will give you a weekend so full of experiences and thoughts and connections, there will be a cats cradle of interwoven threads when it is done.” And so it was. And here it is.

Several weeks ago the Cathedral asked if I would be the guide for some VIPs when the professional American football team, the Baltimore Ravens, came to town. Would I ever! Not because I follow celebrities, I am pretty clueless about most. And not because I know anything about American football, because I don’t. But because I love, feel it my raison d’etre, to show the Cathedral off to fellow Americans. Sure, I am delighted to show round any and all nationalities, but I especially enjoy the Americans. Because only the best of my country come to the Cathedral. The best of the best. It makes me proud. I have met amazing Americans. Of all ages, regions, ethnic backgrounds, interests and lifestyle choices.  They are people whose existence I want to be reminded of as often as possible, particularly of late, when so much of not-our-best seems to be on permanent display. The one thing all these visitors have in common is curiosity. Intellectual curiosity. A dying virtue. So, on Friday, there I was. No surprise, the Ravens’ VIPs were terrific. Jonathan Ogden and Ray Lewis, Hall  of Fame players both. I took these lovely gentlemen and their sizable entourage on a tour of the American Chapel and the Quire, which they seemed to enjoy very much. But upon leaving the Quire, Bill Viola’s video art installation Mary caught Ray Lewis’s eye….and despite the efforts of the handlers, I had to speak. It had stopped him in his tracks, after all.  It is piece that I feel passionately about. The essence of human life, in some ways.  As I gushed away about why this work is so relevant for us today, I could actually see the instant (it didn’t take long) when Mr. Lewis got it. I mean he really “got it.” That beautiful moment when you are talking about art and you see the spark in the other person. Not only was he charming, interested and curious, he got the Bill Viola. Honestly, I have the best job in the world. I floated out of the Cathedral.

And onto more art. Not ready to go home,  I popped into the RA for a preview peek of the Jasper Johns retrospective. Another American. And one who is without question one of the best of the best. At the first glimpse of his Target, I almost wept. It was the perfect carry on from the morning. Concrete, or rather paper and paint and objects, proof that not all is broken in my native land. That there is still greatness. And Johns is great. One of the greatest.  So much of his work is about seeing and, a rather loaded word these days, perceiving. How we perceive the world matters. Johns is a master at asking us to look at the familiar with fresh eyes. His art invites us to look again, “let go of habits of perception and see things in a new way.” In today’s ever polarized society, these are almost fighting words. Oh yeah…and Johns is perhaps most famous for his American flags. A symbol, once again, mired in controversy. But that is Sunday….

As if Friday hadn’t been full enough I had one more engagement. Theatre. The Ferryman by Jez Butterworth. I have a  complicated relationship with Mr. Butterworth’s work, but this is a play about the cycle of  violence of the IRA (though they certainly don’t have the monopoly on this most damaging of issues.) The acting was excellent, despite someone walking off stage due to illness in the 3rd act and the understudy having a broken hand. Add a real but unhappy goose, a pocketed bunny, and an unusually placid baby into the mix and I admit I did wonder if health and safety had had a chance to look round. But the message of the play was clear. This world is a disaster thanks to our own doing. Ever thus. And on to the next.

Having just turned 49 I have given myself the challenge of running 50 races or running events before turning 50. Almost immediately I realised this was a challenge of dedication and logistics rather than athleticism.  Or so I thought. The first 5 races were rather fabulous. The 6th, Sunday morning, 10k in Hyde Park. The weather was glorious. One of those perfect, warm London autumn days. The location could not have been more beautiful. Hyde Park, in the sunshine. And the race, sponsored by a Crohn’s Disease charity, was well organised.  But my legs weren’t in it. They were tired and tight and every step hurt. Every very slow step. It is true that there is no run you regret. But there are runs that disappoint. This was one.  Alas.  Life often disappoints.

But a slow run is really not something to fuss about. I went home via Marble Arch, for a little trip down memory lane. Because it was here, just off Marble Arch that I lived for 3 months in the Winter of 1989 while attending LSE.  Art and theatre, theatre and art is how I spent most of my time. What had always been an ember burst into flame over those months. I was hooked. No wonder many, many years later, for reasons that have nothing to do with me at all except for exceptionally good taste in a husband, I was back. Art, theatre and everything that London has to offer. While revelling in nostalgia I noticed the new  sculpture, Celebration of Life, by Bushra Fakhoury. Dancing with naked, masked abandon. Yup, that is it. But I couldn’t linger for long as I had promised to take the kids to the Colourscape on Clapham Common.

Colourscape, an annual music festival “of unusual instruments and sound,” since 1989, the same year I first lived in London.  The wait was so long I sent my children to find conkers. Conkers aren’t just so English, they aren’t just beautiful symbols of Autumn, they keep moths at bay. I need them. Stephen and Katherine returned with two bulging sacks. Very pleased. But while alone in the slow moving queue, social media started to implode. Ray Lewis had dropped to his knees during the American national anthem at Wembley Stadium.  And people on both sides of the issue went wild. Insane. Out of their minds. With hate. So much hate. He seemed to have suddenly become the most reviled person in the world. No small feat these days. Everybody, from all sides, was baying for blood. Yikes. And the language being used, again, from all sides of the argument was unacceptable. Utterly unacceptable. Ugly, ugly ugly stuff. I was mulling over how much I would not like to be famous when we finally made it to the top of the queue. And those thoughts were put on hold.  We stepped into  Colourscape and time evaporated. We were literally cocooned in colour and sound. Strolling musicians at every rounded turn. So peaceful and beautiful. Yet the shifting colours made me feel unsteady. The experience, as lovely as it was, was unsettling, disorienting. Such is life, isn’t it. Unsteady even at the best of times. When I got home I switched on the television to watch the opening ceremony of the Invictus Games, the Olympic-style games for wounded service people, an event close to my heart.  (see post #96.)  The overriding message, or series of messages, of the long weekend fell into place.  No one, Prince Harry reminded the audience, would have wished to be eligible for these games. Yet here they are.  The keynote speaker before him,  a man who had been attacked with an axe by the Taliban, said that no one thinks it is going to be them, until it is. And the competitors all spoke, after they crossed the finish line, of having made a choice, a choice, sometimes against all odds, to keep going. To keep going when life if horrifically, cruelly or even just irritatingly, interrupted. Real life happens as you’re busy making other plans.

My gorgeous, fabulous, wonderful sister in law, who I have known since we were teenagers, has breast cancer. The devastating recent hurricanes and floods and earthquakes. The seemingly unbreakable cycles of violence. The idolization of symbols and causes and slogans over the simple act of caring for one another. The hate. It is enough to set the Black Dog howling. And here I come with my tiny little banner of hope. Call me naive or even stupid, though I prefer the epitaph that a lovely elderly Indian visitor to the Cathedral gave me, “most excellently cheerful.” Perhaps that is why I was brought back to London. Because in this greatest of all cities I will never ever be lacking in things to inspire, to be curious about, to fill me with crazy, passionate joy. Not just the big stuff, and lucky me, I have plenty of big stuff, but the little moments too. Sharing a great piece of art with someone who gets it. Running, slowly, past a Henry Moore sculpture. An uncrowded art gallery. Conkers. A bassoon player appearing round a colourful corner. Theatre with friends and yeah, being followed round by photographers at St Paul’s cathedral is pretty great too. I love them all.

So, having reached 100, writing about my adventures has come to an end. What have I learned? I am very American, in all the best ways. I love London, really, really love London. I am the luckiest person alive. And having adventures, every day that I can, with enthusiasm and joy and passion, that is what I do.  My London Passion. Thanks for sharing it with me.

@mylondonpassion